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Robert Heinecken

  • Works
  • News
Works
  • Robert Heinecken, #61, 1987
    Robert Heinecken
    #61, 1987
  • Robert Heinecken, Recto/Verso, 1989
    Robert Heinecken
    Recto/Verso, 1989
News
  • László Moholy-Nagy negative portrait of sitting nude woman with shadow of leaves on her skin

    Photography's Last Century at The Met Fifth Avenue

    10 March - 30 November 2020, now open to the public 12 October 2020
    An exhibition of more than sixty extraordinary photographs at The Met Fifth Ave includes masterpieces by Paul Strand, Dora Maar, Man Ray, László Moholy-Nagy, Edward Weston, Walker Evans, and other leading artists.
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  • Robert Heinecken collage of woman in bra made of newspaper articles and magazine clippings framed from Hammer Museum installation shot of exhibition Object Matter

    "Robert Heinecken: Object Matter" at Hammer Museum

    3 October 2014 - 18 January 2015 3 October 2014
    Robert Heinecken (1931–2006) was a pioneer in the postwar Los Angeles art scene. Describing himself as a “para-photographer,” because his work stood “beside” or “beyond” traditional ideas associated with photography, Heinecken worked across multiple mediums, including photography, sculpture, video, printmaking, and collage.
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  • Robert Heinecken exhibition entrance at the Museum of Modern Art, with the artist's name in capital letters in white on a black wall overlaid in the style of the para-photographer

    Robert Heinecken: Object Matter at MoMA

    Summer exhibition on view from 15 March - 7 September 2014 1 March 2014
    The Museum of Modern Art, New York's 2014 exhibition was the first retrospective of the groundbreaking work of Robert Heinecken since the artist's death in 2006.
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  • Robert Heinecken black and white inverted photograph of woman in sunglasses taking off her shirt to expose bra with "ARE YOU REA" text in capital letters above her head

    Proving That the Medium Really Is the Message

    Robert Heinecken in the New York Times 30 October 2013
    In the ’70s and ’80s, Robert Heinecken used found imagery to explore themes that still feel urgent today, like the profusion of advertising messages in our lives and the manufacturing of news authorities.
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