Wearing tuxedo pants and a crisp white shirt, sleeves rolled up and bowtie hanging from the open collar, Erwin Olaf stands barefoot at the edge of the pool at a midcentury modern house in Palm Springs. The 60-year-old Dutch photographer holds a dirty martini in his left hand and locks eyes with Alex, the young man standing thigh deep in the water. Like many of Olaf's highly styled photographs embodying a narrative suited for cinema, this Hockney-esque image draws you in, slows you down, and makes you question what's happening.
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