Stephen Shore, Bay Theater, Second Street, Ashland, Wisconsin, July 9, 1973
Published in The New York Times, this review examines Stephen Shore’s retrospective at the Museum of Modern Art, describing how the exhibition traces his attention to everyday subjects and his influential use of color photography. The piece considers the work’s formal clarity and observational approach, situating it within broader reflections on perception, photographic practice, and the visual significance of ordinary life.
22 November 2017
