Gregory Crewdson is the subject of a feature in Vanity Fair, published on August 7, 2024.
The article explores Crewdson’s first major retrospective at the Albertina Museum in Vienna and a new comprehensive catalogue featuring over 300 works from across his nearly four-decade career. It traces the evolution of his practice—from early black-and-white student photographs to his large-scale cinematic tableaux—while highlighting the enduring themes of isolation, psychological tension, and the uncanny in American life.
The feature contributes to conversations around constructed photography, long-term artistic vision, and the relationship between still imagery and narrative cinema.