John Szarkowski was about 13 when he saw an image by Dorothea Lange that “enormously impressed” him. After he had become the powerful director of photography at the Museum of Modern Art, he would recall that he took it to be a “picture of the hard-faced old woman, looking out of the handsome oval window of the expensive automobile with her hand to her face as though the smell of the street was offending her, and I thought, ‘Isn’t that marvelous?’ That a photographer can pin that specimen to the board as some kind of exotic moth and show her there in her true colors.”
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