In Kristen Roupenian's forward she wrote, "But what is true is that signs of aging, in women, are treated as though they ought to be invisible, which makes the subject a natural one for a photographer as drawn to the disconcerting close-up as Elinor Carucci." Hair Dye is a photo that demands visibility and it sets the stage for a series of intimate, truthful photographs ultimately tracking Carucci's midlife.
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