‘Sally Mann: A Thousand Crossings,” at the National Gallery of Art, reminds us that great photographs do not have meanings; they have agency. This is the first major show for Ms. Mann (b. 1951), with more than 100 images taken over four decades, all dealing with the American South. Ms. Mann, who was born and still lives in Lexington, Va., is obsessed with the South: its landscape, its people, its literature, its history—especially the gnarled history of race.
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