Massimo Vitali

Biography

Vitali’s most enduring series, beginning in the 1990s, consists of large-scale, color photographs of vacationers and tourists enjoying idyllic days at the beach. Intense sunlight, endless expanses of water, and a cheerful confetti of travelers are visual signatures of his artwork. These scenes reflect a profound curiosity about the human condition, as observed through the shared pursuit of leisure. “The beach is a good place to try to understand the way we are, the way we behave,” Vitali asserts.

 

Vitali makes his photographs from a distant, slightly raised vantage point. This perspective allows the artist to record the activities of large groups of people across sweeping vistas. The interface he often records between ocean and earth is perhaps one of the most prized and universally comforting landscapes across cultures and time. In addition to the physical sensations these scenes evoke, the places where land and water merge suggest symbolic and physical journey for the subjects, a port linking possibilities.

 

These compositions reflect a deep awareness of Renaissance Humanism, recalling Protagorus’ postulation that “man is the measure of all things.” Peering into the pleasures, values, and social conventions of the present, Vitali’s images give paramount attention to human experience— integrating paradise with everyday concerns.

 

Vitali’s fascination with humanity extends beyond a generalized endorsement of earthly experience and leisure. In tradition with generations of Italian artworks before him, Vitali’s practice stresses the individuality and autonomy of his subjects. His unstaged and unmanipulated photographs embrace a veristic portrait style that does not camouflage or retouch “imperfections,” but rather reveals bodies on display and shows each feature as one that bestows its owner with distinction, personality, and essence.

 

In addition to beaches and summer resorts, since the 1990s Vitali’s oeuvre has grown to include scenes of people at ski resorts, piazzas, nightclubs, shopping markets, migration centers, and more. Regardless of the location or activity he is documenting, Vitali’s interest in how humans connect with each other and their environments is central.

 

Vitali was born in Como, Italy in 1944 and is currently based in Lucca, Italy. His work has been the subject of numerous solo shows internationally and is in the collections of leading museums and institutions including the Guggenheim Museum, New York, Museo Reina Sofia, Madrid, and the Centre Pompidou, Fondation Cartier, and Fonds national d’art contemporain, Paris. Monographs of Vitali's work include Beach & Disco (Steidl Verlag, 1999), Landscapes with Figures (Steidl Verlag, 2004), Landscapes with Figures 2 (Steidl Verlag, 2011), Natural Habitats (Steidl Verlag, 2011), and Entering a New World: Photographs 2009-2018 (Steidl Verlag, 2019). In 2020, Studio Massimo Vitali released a limited edition accordion book of 16 images made following Italy's spring lockdown, titled Leporello 2020: No Country for Old Men

 

Vitali's first solo exhibition with Edwynn Houk Gallery will be on view from 5 May - 15 July 2022. 

Works
  • Triptych of the Roman Forum, Italy by Massimo VItali
    Massimo Vitali
    Trittico Forum, 2011
  • Lone figure stepping into hot pools in Iceland at Myvatn Nature Baths, by Massimo Vitali
    Massimo Vitali
    Myvatn Nature Baths, 2016
  • Three swimmers in green-tinted water with a girl sitting on a boulder, by Massimo Vitali
    Massimo Vitali
    Masso delle Fanciulle Swimmer, D0034, 2017
  • Visitors in front of the Arch of Titus and Colosseum in Rome, by Massimo Vitali
    Massimo Vitali
    Titus Arch Pine Tree, 2008
  • Santa Croce Puppet Show in Florence at winter, by Massimo Vitali
    Massimo Vitali
    Santa Croce Puppet Show, Florence, 2012
  • Beachgoers relaxing by the ocean with cliffs in background in Butterfly Valley, Turkey, by Massimo Vitali
    Massimo Vitali
    Butterfly Valley, Turkey, 2008
  • Skiers and chairlift on mountain, Mont Blanc de Courmayeur, by Massimo Vitali
    Massimo Vitali
    Courmayeur Mont Blanc, 2000
  • Beachgoers at Las Catedrales beach in Spain by Massimo Vitali
    Massimo Vitali
    Las Catedrales, Low Tide, 2011
  • Beachgoers at Polignano a Mare, Puglia by Massimo Vitali
    Massimo Vitali
    Polignano a Mare, 2011
  • diptych of Las Catedrales Beach, Spain with beachgoers and blue sky, by Massimo Vitali
    Massimo Vitali
    Las Catedrales diptych, 2011
  • waves at Sarakiniko beach in Greece by Massimo Vitali
    Massimo Vitali
    Sarakiniko Meltemi 1, 2011
  • Bathers on Scala dei Turchi (Scale of the Turks), Sicily by Massimo Vitali
    Massimo Vitali
    Scala dei Turchi Island 3, Sicily, 2009
  • Crowd of couples kissing on New Year's Eve midnight in Venice, by Massimo Vitali
    Massimo Vitali
    Venezia Kiss, 2007
  • Hikers on clif at Preikestolen (Pulpit Rock), Norway by Massimo Vitali
    Massimo Vitali
    Preikestolen Green Dot, 2011
  • Diptych of people sunbathing on cliffs at Santa Cesarea Terme, southern Italy, with blue ocean in background, by Massimo Vitali
    Massimo Vitali
    Santa Cesarea Diptych, 2011
  • Cefalù Mother and Child
    Massimo Vitali
    Cefalù Mother and Child, 2008
  • Massimo Vitali elevated vantage photograph of sunbathers on dock and in water
    Massimo Vitali
    Hammerhead Inflatable, 2010
  • Lençois Laguna do Peixe Posing
    Massimo Vitali
    Lençois Laguna do Peixe Posing, 2012
  • Massimo Vitali photograph of beach and sunbathers in light colored water with inflatable rafts
    Massimo Vitali
    Animaletti 1, 2004
  • Porto Miggiano Blue Raft
    Massimo Vitali
    Porto Miggiano Blue Raft, 2011
  • View of beach and sea at Scala dei Turchi by Massimo Vitali
    Massimo Vitali
    Scala dei Turchi Top Boat, 2009
Exhibitions
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