Many of the houses Hopper painted when he summered in Gloucester in the 1920s are still here. Photographer Gail Albert Halaban has revisited them, photographing them from the same perspective from which Hopper painted them. “Hopper Redux, Photo-graphs by Gail Albert Halaban,” now up at the Cape Ann Museum, looks at these homes, their inhabitants, and their history, through a contemporary lens — although one clearly shaped by Hopper.

This exhibit is not, by any means, an Edward Hopper show. There is one drawing by Hopper on view, from the museum’s collection. Otherwise, it’s all Halaban’s photographs, which have their own poetry: startling clarity, luminous, whiskey-rich tones, and a certain melancholy that adds gravity to the visual bravura.

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