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In a time when one-after-the-other serial production of bodies of work has become the dominant mode in the art world, Abelardo Morell’s ongoing parallel processing of multiple different lines of photographic thinking is quietly and perhaps defiantly contrarian. While others methodically start and finish each new project, moving forward step by incremental step, Morell is the photographic equivalent of a carnival acrobat with spinning plates on sticks, each one humming along until it slows and needs a quick spark of renewed attention. This show of recent work provides updates on a handful of discrete projects, some of which he’s been successfully working on for decades, others that he’s just begun. Following his photographic career is a little like keeping half a dozen novels on your bedside table and picking them up intermittently to read a few pages; all the stories are moving forward simultaneously, so you have to pay close multi-tasking attention to keep the new developments straight.

For the full review, please visit L'Oeil de la Photographie