Hiding in the City - 123, Pollock Scent, 2013
Hide in the City - 106, Family Photo, 2012
Hiding in the City - 71, Forklifts, 2008
Hiding in the City - Paris - 12, TV Station, 2013
Hiding in the City - 120, Portrait, 2012
Hiding in the City - 106, Sleeping Lion, 2012
Hiding in the City - 76, Demolition, 2008
Hiding in the City - Paris - 06, Paris Archives, 2011
Hiding in the City - Paris - 14, Pharmacy, 2013
Hiding in the City - Paris - 10 - Liberty leading the people, 2013
Hiding in the City - 99, Three Goddesses, 2013
Hiding in the City - Brussels - 01, Bookshelf, 2013
Galerie Edwynn Houk is pleased to announce our inaugural exhibition of photography by Liu Bolin (Chinese, b. 1973). Born in Shandong Province, Liu moved to Beijing where he graduated from the prestigious Central Academy of Fine Arts with a Master’s degree in sculpture. He came of age during the 1990s, a period that witnessed the emergence of China from the remaining ashes of the Cultural Revolution, as well as the Tiananmen Square protests of 1989. In all of his work, Liu is committed to examining and protesting the ramifications of the rapid economic development, environmental deterioration, consumerism, and urbanization of his homeland.
In this process, Liu incorporates sculpture, performance art, body painting and photography. After selecting a background that is often an urban landmark or place of personal relevance, the artist poses before the site dressed in a Chinese army uniform. Assistants then meticulously paint Liu’s body, face and uniform to merge him seamlessly into the background creating simultaneously a slow disappearing act as well as an embodiment and reflection of his environment. This chameleonic process can sometimes take up to 10 hours at a time. Upon completion of the body painting, a photograph is taken of the scene and performance.
Liu’s first such series and his most well known to date, Hiding in the City, began in 2005 as a response to the authorities demolition of the artists’ village where his studio was located, in order to make way for construction projects for the 2008 Beijing Summer Olympics. Foundational to the works are Liu’s sense of individual disempowerment and displacement. The spectacles serve as an act of opposition on behalf of individuals who seem invisible within China’s political and economic power structures in its move towards modernization.
Liu Bolin’s work has been widely exhibited in museums internationally, including Liu Bolin, Museo de Arte Contemporáneo de Buenos Aires, Buenos Aires, Argentina, Liu Bolin: A Secret Tour, Museo H.C. Andersen, Galleria Nazionale d’Arte Moderna, Rome, Italy, and The Invisible Man, Fotografiska Museet, Stockholm, Sweden. His work is represented in prestigious collections including The M+ Sigg Collection, Hong Kong, (previously Sigg Collection, Mauensee, Switzerland), and Princeton University Art Museum, Princeton, New Jersey, USA. Liu Bolin: Hidden in the City was published by Thircuir Books in 2012. Liu currently lives and works in Beijing.
For additional information or images, please contact Stefanie Little or Miki Wick-Kim at firstname.lastname@example.org