Odalisque with a Turkish Chair, After Henri Matisse, 2006
from Pictures of Pigment
Odalisque with a Turkish Chair, After Henri Matisse, 2006
from Pictures of Pigment
The Parthenon, 2003
From Pictures of Chocolate
The Parthenon, 2003
From Pictures of Chocolate
The Desperate Man, After Courbet (self portrait), 2007
From Gordian Puzzles
The Desperate Man, After Courbet (self portrait), 2007
From Gordian Puzzles
Brigitte Bardot, 2004
From Pictures of Diamonds
Brigitte Bardot, 2004
From Pictures of Diamonds
The Creation of Adam, After Michelangelo, 2011
From Pictures of Junk
The Creation of Adam, After Michelangelo, 2011
From Pictures of Junk
Princess Diana, 2008
From Gordian Puzzles
Princess Diana, 2008
From Gordian Puzzles
Montagne Sainte Victoire, seen from Montbriand, After Cezanne, 2006
From Pictures of Pigment
Montagne Sainte Victoire, seen from Montbriand, After Cezanne, 2006
From Pictures of Pigment
La Dolce Vita, 1999
From Pictures of Chocolate
La Dolce Vita, 1999
From Pictures of Chocolate
Origin of the World, After Courbet, 1999
From Pictures of Soil
Origin of the World, After Courbet, 1999
From Pictures of Soil
Flowers and Fruit, After Renoir, 2013
From Pictures of Magazines 2
Flowers and Fruit, After Renoir, 2013
From Pictures of Magazines 2
Orestes Pursued by the Furies, After Bourguereau, 2006
From Pictures of Junk
Orestes Pursued by the Furies, After Bourguereau, 2006
From Pictures of Junk
Rochas, 2005
Pictures of Wire
Rochas, 2005
Pictures of Wire
All Detail
Previous
 / 
Next

Exhibitions

View

Press

View

New York Times; Smile and Say 'Peanut Butter,' Mona Lisa, by Martha Schwendener

March, 3rd 2007

Artists are generally not subjected to the focus groups and market research imposed on films and advertising. Yet if they were, one who would score high in the demographics category is the Brazilian-born, New York-based artist Vik Muniz.

A few minutes spent inside “Vik Muniz: Reflex,” an abbreviated version of an exhibition that appeared last year at the Miami Art Museum — organized by Peter Boswell, senior curator there — makes it clear why Mr. Muniz’s work, itself as seductive as an advertising billboard, appeals to a large audience. For one thing, Mr. Muniz is committed to making art fun. “I have always taken humor very seriously,” he has said.

Download PDF (435 K)

Vik Muniz

Brazilian, b. 1961

Download CV PDF (103 K)
Detail Image