Le 1 novembre 2012, rue de Belleville, Paris-20e, 2012
Le 1 novembre 2012, rue de Belleville, Paris-20e, 2012
Good Harbor, 2012, from Hopper's Houses
Good Harbor, 2012, from Hopper's Houses
Out My Window, Chelsea, Glass House with Dog, 2008
Out My Window, Chelsea, Glass House with Dog, 2008
Out My Window, Prospect-Lefferts Gardens, Brooklyn, Painting the Walls, 2010
Out My Window, Prospect-Lefferts Gardens, Brooklyn, Painting the Walls, 2010
Le 3 novembre 2012, rue de la Cerisaie, Paris-4e
Le 3 novembre 2012, rue de la Cerisaie, Paris-4e
Houses of Squam Light, Gloucester, 2012, from Hopper's Houses
Houses of Squam Light, Gloucester, 2012, from Hopper's Houses
Le 2 novembre 2012, rue Nationale, Paris-13e, 2012
Le 2 novembre 2012, rue Nationale, Paris-13e, 2012
Out My Window, Astoria, Queens, Bridges at Night, 2008
Out My Window, Astoria, Queens, Bridges at Night, 2008
Le 30 octobre 2012, rue Auber, Paris-9e, 2012
Le 30 octobre 2012, rue Auber, Paris-9e, 2012
The Mansard Roof, 2011, from Hopper's Houses
The Mansard Roof, 2011, from Hopper's Houses
Out My Window, Chelsea, West 28th Street, Expecting, 2010
Out My Window, Chelsea, West 28th Street, Expecting, 2010
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Series

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Exhibitions

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Gail Albert Halaban: Hopper Redux
November 8 - December 22, 2012

Press

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New York Times Magazine, July 22, 2012


To New Yorkers, Edward Hopper is likely to evoke visions of moody nighttime urban scenes. But the painter created some of his most famous work in the bright seaside town of Gloucester, Mass., on Cape Ann, where he spent time in the 1920s. The photographer Gail Albert Halaban has been locating the original houses in Hopper’s paintings there and taking pictures of them as they look today. Greta Bagshaw, whose husband’s family has owned the ‘‘Mansard Roof ’’ since 1962, is accustomed to the attention. ‘‘Not infrequently we’ve seen people who set up easels in our backyard to paint it,’’ Bagshaw says. ‘‘We know it’s time to put up the awnings each year when we’re eating on the porch and we turn around and see a big tour group watching us eat dinner.’’

Read the full article on the New York Times website.

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Gail Albert Halaban

b. Washington DC, 1970

Gail Albert Halaban, who lives and works in New York, began photographing when she was 6, when she made a camera for her first grade science fair. She holds an MFA from Yale University.

Her art explores the tension between public and private life, what is seen by all, and what is hidden. The series Out My Window is a collection of images taken through and into windows in New York City, she acknowledges unspoken voyeurism and exhibitionism, tells us to admit we all do it, and then pushes us to confront the hope, isolation and other emotions that lie behind the gaze.

The pictures seem intrusive, but are nearly all posed. The residents are collaborators and their apartments are lit specifically to make these pictures, which explore a defining urban experience: becoming secretly familiar with the neighbors’ most intimate moments.

In the end, the process of producing this series of images is a kind of performance that serves as a remedy for the symptoms that they portray: by ringing on doorbells, Albert Halaban helps bring anonymous neighbors into each others’ lives. The set-up of the camera and the staging of the resultant photograph become an occasion for new friendships.

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